佛」計畫－顏忠賢錄像裝置藝術展
2007.03.30～2007.04.21
09:00 - 17:00
「佛」計畫－顏忠賢錄像裝置藝術展 展期: 2007-03-30 ~ 2007-04-21
地點: 週二至週日 上午10:00-下午5:00 展覽理念 本展覽以錄像．裝置作品、、，重建台灣宗教「造大佛」的擬似儀式，並結合關渡美術館的多元空間，提供觀眾步履「成佛」、「毀佛」、「我即是佛」的種種「偽」參行經驗。 其中，以填充式的黑色塑膠垃圾袋與麻繩，綁出「軟建築」式的七尊佛像（6-2公尺），並將之懸吊於竹架間，令觀眾於幽暗的燈光下仰而望之，步步踏入亦妖亦魅的懸絲傀儡異域，在心生害怕之餘，頓悟佛性懾人的神聖實為恐懼畏怯的一體兩面。 相形於的黑悚壓境，以「西遊記」為主題，於展場搭建白胚布．棉花充填的「軟建築」式戲台，並播放由真人搭配唐三藏、孫悟空、沙悟淨、豬八戒等等布袋戲偶，演出五幕劇：「水濂洞」、「五指山」、「火焰山」、「人參果」、「無底船」；劇中以「遊戲旅歷」為主調，並導入現代既歡樂又荒謬的「觀光」，強調佛國的「求經」與人境的「野遊」，互為呼應之處，進而強調「現世即佛」、「處處是佛」的迷信與迷亂。 第三件錄像作品，內容為真人身穿五彩毛線袈裟的行動演出－不斷得「穿」／不斷得「參」，演員動作、表情皆猖狂誇大，看似嘉年華的無限歡樂，實為寫照百性求佛拜佛的恍惚癡迷，可笑荒誕之處，直指人心的無境慾望與無力軟弱。 Introduction This exhibition consists of three video/installation art works: Buddha Project, The Mountain, and Robe Maze, and aims to present a pseudo-ritual of “Build-up Buddha” from traditional Taiwan custom. The art works merge into the various space of the Kuandu Museum of Fine Arts. When visitors walk inside the gallery, they would have some pseudo-pilgrimage experiences such as “attain Buddhahood”, “deconstruct Buddha”, and “being Buddha”. Among the art works, the Buddha Project is composed of seven “soft architectural” Buddha statues that are made of stuffed black garbage bags and hemp ropes. They are hung among the bamboo truss. With very dim light, visitors would step into a mysterious land and look up at ghost-like soft Buddha statues. With fear, they would be enlightened that the inviolable sacredness and the tremendous fears are, in fact, two sides of one coin. Compare with the black, horrible Project Buddha, the inspiration of The Mountain comes from the famous fiction Journey to the West. The artist set up a soft Hand Puppet Show’s stage with gray fabric stuffed with cotton. A video features puppets Tang Sanzang, Sun Wukong, Zhu Bajie and Sha Wujing along with real performers is projected. These characters present five acts: Cave of Water Curtain, The Mountain, The Mountain of Fire, Fruit of Ginseng and Bottomless Ferryboat. “Games” and “journeys” are the main tone of this play, and modern, happy ridiculous “sightseeing” scenes are led in as well. The piece emphasizes on the contrast between “obtain sutra” in Buddha land and “travel for pleasure” in the man’s world. Furthermore, it also stresses on the graciousness and accessibility of the Buddha of present. The third video/installation Robe Maze is a performance. Performers wore colored wool robes and acted exaggeratedly and arrogantly. They kept on putting on/taking off robes and worshipping Buddha. Seemingly, these people were enjoying a carnival with great happiness. Yet their bemused, crazy facial expressions are actually portraitures of praying for Buddha’s blessings. It also refers to the endless desires and weakness of human beings.
地點: 週二至週日 上午10:00-下午5:00 展覽理念 本展覽以錄像．裝置作品、、，重建台灣宗教「造大佛」的擬似儀式，並結合關渡美術館的多元空間，提供觀眾步履「成佛」、「毀佛」、「我即是佛」的種種「偽」參行經驗。 其中，以填充式的黑色塑膠垃圾袋與麻繩，綁出「軟建築」式的七尊佛像（6-2公尺），並將之懸吊於竹架間，令觀眾於幽暗的燈光下仰而望之，步步踏入亦妖亦魅的懸絲傀儡異域，在心生害怕之餘，頓悟佛性懾人的神聖實為恐懼畏怯的一體兩面。 相形於的黑悚壓境，以「西遊記」為主題，於展場搭建白胚布．棉花充填的「軟建築」式戲台，並播放由真人搭配唐三藏、孫悟空、沙悟淨、豬八戒等等布袋戲偶，演出五幕劇：「水濂洞」、「五指山」、「火焰山」、「人參果」、「無底船」；劇中以「遊戲旅歷」為主調，並導入現代既歡樂又荒謬的「觀光」，強調佛國的「求經」與人境的「野遊」，互為呼應之處，進而強調「現世即佛」、「處處是佛」的迷信與迷亂。 第三件錄像作品，內容為真人身穿五彩毛線袈裟的行動演出－不斷得「穿」／不斷得「參」，演員動作、表情皆猖狂誇大，看似嘉年華的無限歡樂，實為寫照百性求佛拜佛的恍惚癡迷，可笑荒誕之處，直指人心的無境慾望與無力軟弱。 Introduction This exhibition consists of three video/installation art works: Buddha Project, The Mountain, and Robe Maze, and aims to present a pseudo-ritual of “Build-up Buddha” from traditional Taiwan custom. The art works merge into the various space of the Kuandu Museum of Fine Arts. When visitors walk inside the gallery, they would have some pseudo-pilgrimage experiences such as “attain Buddhahood”, “deconstruct Buddha”, and “being Buddha”. Among the art works, the Buddha Project is composed of seven “soft architectural” Buddha statues that are made of stuffed black garbage bags and hemp ropes. They are hung among the bamboo truss. With very dim light, visitors would step into a mysterious land and look up at ghost-like soft Buddha statues. With fear, they would be enlightened that the inviolable sacredness and the tremendous fears are, in fact, two sides of one coin. Compare with the black, horrible Project Buddha, the inspiration of The Mountain comes from the famous fiction Journey to the West. The artist set up a soft Hand Puppet Show’s stage with gray fabric stuffed with cotton. A video features puppets Tang Sanzang, Sun Wukong, Zhu Bajie and Sha Wujing along with real performers is projected. These characters present five acts: Cave of Water Curtain, The Mountain, The Mountain of Fire, Fruit of Ginseng and Bottomless Ferryboat. “Games” and “journeys” are the main tone of this play, and modern, happy ridiculous “sightseeing” scenes are led in as well. The piece emphasizes on the contrast between “obtain sutra” in Buddha land and “travel for pleasure” in the man’s world. Furthermore, it also stresses on the graciousness and accessibility of the Buddha of present. The third video/installation Robe Maze is a performance. Performers wore colored wool robes and acted exaggeratedly and arrogantly. They kept on putting on/taking off robes and worshipping Buddha. Seemingly, these people were enjoying a carnival with great happiness. Yet their bemused, crazy facial expressions are actually portraitures of praying for Buddha’s blessings. It also refers to the endless desires and weakness of human beings.
「佛」計畫－顏忠賢錄像裝置藝術展 展期: 2007-03-30 ~ 2007-04-21
地點: 週二至週日 上午10:00-下午5:00 展覽理念 本展覽以錄像．裝置作品、、，重建台灣宗教「造大佛」的擬似儀式，並結合關渡美術館的多元空間，提供觀眾步履「成佛」、「毀佛」、「我即是佛」的種種「偽」參行經驗。 其中，以填充式的黑色塑膠垃圾袋與麻繩，綁出「軟建築」式的七尊佛像（6-2公尺），並將之懸吊於竹架間，令觀眾於幽暗的燈光下仰而望之，步步踏入亦妖亦魅的懸絲傀儡異域，在心生害怕之餘，頓悟佛性懾人的神聖實為恐懼畏怯的一體兩面。 相形於的黑悚壓境，以「西遊記」為主題，於展場搭建白胚布．棉花充填的「軟建築」式戲台，並播放由真人搭配唐三藏、孫悟空、沙悟淨、豬八戒等等布袋戲偶，演出五幕劇：「水濂洞」、「五指山」、「火焰山」、「人參果」、「無底船」；劇中以「遊戲旅歷」為主調，並導入現代既歡樂又荒謬的「觀光」，強調佛國的「求經」與人境的「野遊」，互為呼應之處，進而強調「現世即佛」、「處處是佛」的迷信與迷亂。 第三件錄像作品，內容為真人身穿五彩毛線袈裟的行動演出－不斷得「穿」／不斷得「參」，演員動作、表情皆猖狂誇大，看似嘉年華的無限歡樂，實為寫照百性求佛拜佛的恍惚癡迷，可笑荒誕之處，直指人心的無境慾望與無力軟弱。 Introduction This exhibition consists of three video/installation art works: Buddha Project, The Mountain, and Robe Maze, and aims to present a pseudo-ritual of “Build-up Buddha” from traditional Taiwan custom. The art works merge into the various space of the Kuandu Museum of Fine Arts. When visitors walk inside the gallery, they would have some pseudo-pilgrimage experiences such as “attain Buddhahood”, “deconstruct Buddha”, and “being Buddha”. Among the art works, the Buddha Project is composed of seven “soft architectural” Buddha statues that are made of stuffed black garbage bags and hemp ropes. They are hung among the bamboo truss. With very dim light, visitors would step into a mysterious land and look up at ghost-like soft Buddha statues. With fear, they would be enlightened that the inviolable sacredness and the tremendous fears are, in fact, two sides of one coin. Compare with the black, horrible Project Buddha, the inspiration of The Mountain comes from the famous fiction Journey to the West. The artist set up a soft Hand Puppet Show’s stage with gray fabric stuffed with cotton. A video features puppets Tang Sanzang, Sun Wukong, Zhu Bajie and Sha Wujing along with real performers is projected. These characters present five acts: Cave of Water Curtain, The Mountain, The Mountain of Fire, Fruit of Ginseng and Bottomless Ferryboat. “Games” and “journeys” are the main tone of this play, and modern, happy ridiculous “sightseeing” scenes are led in as well. The piece emphasizes on the contrast between “obtain sutra” in Buddha land and “travel for pleasure” in the man’s world. Furthermore, it also stresses on the graciousness and accessibility of the Buddha of present. The third video/installation Robe Maze is a performance. Performers wore colored wool robes and acted exaggeratedly and arrogantly. They kept on putting on/taking off robes and worshipping Buddha. Seemingly, these people were enjoying a carnival with great happiness. Yet their bemused, crazy facial expressions are actually portraitures of praying for Buddha’s blessings. It also refers to the endless desires and weakness of human beings.
地點: 週二至週日 上午10:00-下午5:00 展覽理念 本展覽以錄像．裝置作品、、，重建台灣宗教「造大佛」的擬似儀式，並結合關渡美術館的多元空間，提供觀眾步履「成佛」、「毀佛」、「我即是佛」的種種「偽」參行經驗。 其中，以填充式的黑色塑膠垃圾袋與麻繩，綁出「軟建築」式的七尊佛像（6-2公尺），並將之懸吊於竹架間，令觀眾於幽暗的燈光下仰而望之，步步踏入亦妖亦魅的懸絲傀儡異域，在心生害怕之餘，頓悟佛性懾人的神聖實為恐懼畏怯的一體兩面。 相形於的黑悚壓境，以「西遊記」為主題，於展場搭建白胚布．棉花充填的「軟建築」式戲台，並播放由真人搭配唐三藏、孫悟空、沙悟淨、豬八戒等等布袋戲偶，演出五幕劇：「水濂洞」、「五指山」、「火焰山」、「人參果」、「無底船」；劇中以「遊戲旅歷」為主調，並導入現代既歡樂又荒謬的「觀光」，強調佛國的「求經」與人境的「野遊」，互為呼應之處，進而強調「現世即佛」、「處處是佛」的迷信與迷亂。 第三件錄像作品，內容為真人身穿五彩毛線袈裟的行動演出－不斷得「穿」／不斷得「參」，演員動作、表情皆猖狂誇大，看似嘉年華的無限歡樂，實為寫照百性求佛拜佛的恍惚癡迷，可笑荒誕之處，直指人心的無境慾望與無力軟弱。 Introduction This exhibition consists of three video/installation art works: Buddha Project, The Mountain, and Robe Maze, and aims to present a pseudo-ritual of “Build-up Buddha” from traditional Taiwan custom. The art works merge into the various space of the Kuandu Museum of Fine Arts. When visitors walk inside the gallery, they would have some pseudo-pilgrimage experiences such as “attain Buddhahood”, “deconstruct Buddha”, and “being Buddha”. Among the art works, the Buddha Project is composed of seven “soft architectural” Buddha statues that are made of stuffed black garbage bags and hemp ropes. They are hung among the bamboo truss. With very dim light, visitors would step into a mysterious land and look up at ghost-like soft Buddha statues. With fear, they would be enlightened that the inviolable sacredness and the tremendous fears are, in fact, two sides of one coin. Compare with the black, horrible Project Buddha, the inspiration of The Mountain comes from the famous fiction Journey to the West. The artist set up a soft Hand Puppet Show’s stage with gray fabric stuffed with cotton. A video features puppets Tang Sanzang, Sun Wukong, Zhu Bajie and Sha Wujing along with real performers is projected. These characters present five acts: Cave of Water Curtain, The Mountain, The Mountain of Fire, Fruit of Ginseng and Bottomless Ferryboat. “Games” and “journeys” are the main tone of this play, and modern, happy ridiculous “sightseeing” scenes are led in as well. The piece emphasizes on the contrast between “obtain sutra” in Buddha land and “travel for pleasure” in the man’s world. Furthermore, it also stresses on the graciousness and accessibility of the Buddha of present. The third video/installation Robe Maze is a performance. Performers wore colored wool robes and acted exaggeratedly and arrogantly. They kept on putting on/taking off robes and worshipping Buddha. Seemingly, these people were enjoying a carnival with great happiness. Yet their bemused, crazy facial expressions are actually portraitures of praying for Buddha’s blessings. It also refers to the endless desires and weakness of human beings.
顏忠賢
2004 “Journey to the west” installation/video art work in ”Nexus” group exhibition ,Museum of Queens ,New York 2003 Selected as the visiting Artist in Artist-in residency program “Calligraphy dressing ” installation/video art work exhibition in Art Omi international arts Center ,New York 2003 “Temple Chic” installation Art Solo Exhibition, SOHO Diesel Denim Gallery ,New York 2003 “Knitting tree” Installation/Video exhibition in P.S.1 /MOMA Contemporary Art center 2003 Performative Video II @ the Remote Lounge, New York Soft Ritual: Part 2: the wandering monk with his follower to the de-haunted city 2003 獲獎：美國紐約（MOMA / PS1 Contemporary Art Center） 甄選為2002/2003年度駐館藝術家 2003 獲加拿大駐台辦事處邀請前往加拿大創作，並於台北市立美術館展出 作品：Utopia uncanny: a road-film-type of odyssey in Canada 2002 總統文化獎得獎人紀錄影片展覽裝置於文化總會一樓藝文中心 作品：布袋金光戲野台 2002 獲邀至新竹師範學院藝文中心展覽 作品：編織計劃 2002 國際藝術村裝置展覽 作品: 「軟春聯」 2002 宇宙五元素展覽 作品: 「風」、「水」 2001 受邀第二屆台北三腳渡親水藝術節 「基隆河舞船裝置展覽」之競賽評審及舢 舨主船作品設計 作品:「無底船渡」 2001 AAN亞洲藝術網絡2001年會青年藝術家創作計畫「桌上城市」之台北代表 皇冠小劇場演出/誠品書店敦南店藝文空間裝置展覽 作品:「醮渡歹年冬台北」 2001 台北國際藝術村裝置展覽 作品:「倒影:我的耶路撒冷症候群」 2001 耶路撒冷市政廳藝廊裝置展覽 作品：「倒影:我的耶路撒冷症候群」 獲頒“台北駐耶路撒冷駐市藝術家獎” 2000 網冠科技股份有限公司建築立面與辦公室室內設計 2000 台北畫廊博覽會∕NYNY商場∕誠品敦南店 裝置行動藝術展 作品：「軟客廳」計劃 1999 園區寬頻科技股份有限公司辦公室室內設計 1999 台北華山雙年展 作品：「肉浮屠」裝置行動藝術展 1999 台北漢雅軒藝廊個展 作品－「行囊風景」裝置行動藝術展 1998 億鼎工程顧問公司辦公室室內設計 1998 「土地倫理」台北城市裝置展覽 作品：「園不冶」 1998 出版《不在場_顏忠賢空間學論文集》（田園城市文化事業有限公司） 1998 彩田藝術中心個展 作品－「遊」空間裝置藝術展覽 1996 誠品敦南店裝置藝術展覽 作品：「書、信與設計的混血創作事件」 1997 出版《遊－一種建築的說書術，或是五回城市的奧德塞》設計作品集 （田園城市文化事業有限公司出版） 1997 誠品敦南店兒童館總館設計 誠品兒童館「動物狂歡節」裝置藝術展 1988 「王船踟躕_妙壽宮廟埕設計案」 （此作品於1992赴希臘展覽） 1996 台北市立美術館雙年展 作品：「市民美學」主題裝置藝術展 1995 「空間前衛美學創作事件」十位新銳設計師作品聯展 作品：「老天使俱樂部」概念住宅設計案 1995 「大气四方」建築暨空間設計展覽策展人 1994 JJ咖啡廳 建築立面設計案 1994 「紅樓節慶」裝置設計案 （此設計案於1995赴荷蘭展覽發表） 1993 「縱橫書海」電視場景設計案 （此設計案於1997日本展覽） 1993 「大觀園」裝置藝術設計聯展 作品：「命名」印．畫空間裝置 1993 紐約 「社會意識設計」國際競圖獲選參加展覽 作品：「九份：一個進步的保存案例」 2004 “Journey to the west” installation/video art work in “Nexus” group exhibition ,Museum of Queens ,New York 2003 Selected as the visiting Artist in Artist-in residency program “Calligraphy dressing ” installation/video art work exhibition in Art Omi international arts Center ,New York 2003 “Temple Chic” installation Art Solo Exhibition, SOHO Diesel Denim Gallery ,New York 2003 “Knitting tree” Installation/Video exhibition in P.S.1 /MOMA Contemporary Art center 2003 Performative Video II @ the Remote Lounge, New York Soft Ritual: Part 2: the wandering monk with his follower to the de-haunted city 2003 Award：Winner of P.S.1 /MOMA Contemporary Art Center 2002 International Artist Studio Program 2002 Exhibition “Voyage from Taiwan Modern Perpective” Selected as the visiting Artist to Canada 2002 “Wild Puppet Stage” Installation for Pregident Culture award Documentary film festival, Taipei Culture Center 2002 “Tree Knitting” Installation Shin-Chu Ecole college Art Gallery 2001 “Bottomless Ferryboat” Installation/Action Art Exhibition Invited to design the Flagship of Ferryboat
顏忠賢
2004 “Journey to the west” installation/video art work in ”Nexus” group exhibition ,Museum of Queens ,New York 2003 Selected as the visiting Artist in Artist-in residency program “Calligraphy dressing ” installation/video art work exhibition in Art Omi international arts Center ,New York 2003 “Temple Chic” installation Art Solo Exhibition, SOHO Diesel Denim Gallery ,New York 2003 “Knitting tree” Installation/Video exhibition in P.S.1 /MOMA Contemporary Art center 2003 Performative Video II @ the Remote Lounge, New York Soft Ritual: Part 2: the wandering monk with his follower to the de-haunted city 2003 獲獎：美國紐約（MOMA / PS1 Contemporary Art Center） 甄選為2002/2003年度駐館藝術家 2003 獲加拿大駐台辦事處邀請前往加拿大創作，並於台北市立美術館展出 作品：Utopia uncanny: a road-film-type of odyssey in Canada 2002 總統文化獎得獎人紀錄影片展覽裝置於文化總會一樓藝文中心 作品：布袋金光戲野台 2002 獲邀至新竹師範學院藝文中心展覽 作品：編織計劃 2002 國際藝術村裝置展覽 作品: 「軟春聯」 2002 宇宙五元素展覽 作品: 「風」、「水」 2001 受邀第二屆台北三腳渡親水藝術節 「基隆河舞船裝置展覽」之競賽評審及舢 舨主船作品設計 作品:「無底船渡」 2001 AAN亞洲藝術網絡2001年會青年藝術家創作計畫「桌上城市」之台北代表 皇冠小劇場演出/誠品書店敦南店藝文空間裝置展覽 作品:「醮渡歹年冬台北」 2001 台北國際藝術村裝置展覽 作品:「倒影:我的耶路撒冷症候群」 2001 耶路撒冷市政廳藝廊裝置展覽 作品：「倒影:我的耶路撒冷症候群」 獲頒“台北駐耶路撒冷駐市藝術家獎” 2000 網冠科技股份有限公司建築立面與辦公室室內設計 2000 台北畫廊博覽會∕NYNY商場∕誠品敦南店 裝置行動藝術展 作品：「軟客廳」計劃 1999 園區寬頻科技股份有限公司辦公室室內設計 1999 台北華山雙年展 作品：「肉浮屠」裝置行動藝術展 1999 台北漢雅軒藝廊個展 作品－「行囊風景」裝置行動藝術展 1998 億鼎工程顧問公司辦公室室內設計 1998 「土地倫理」台北城市裝置展覽 作品：「園不冶」 1998 出版《不在場_顏忠賢空間學論文集》（田園城市文化事業有限公司） 1998 彩田藝術中心個展 作品－「遊」空間裝置藝術展覽 1996 誠品敦南店裝置藝術展覽 作品：「書、信與設計的混血創作事件」 1997 出版《遊－一種建築的說書術，或是五回城市的奧德塞》設計作品集 （田園城市文化事業有限公司出版） 1997 誠品敦南店兒童館總館設計 誠品兒童館「動物狂歡節」裝置藝術展 1988 「王船踟躕_妙壽宮廟埕設計案」 （此作品於1992赴希臘展覽） 1996 台北市立美術館雙年展 作品：「市民美學」主題裝置藝術展 1995 「空間前衛美學創作事件」十位新銳設計師作品聯展 作品：「老天使俱樂部」概念住宅設計案 1995 「大气四方」建築暨空間設計展覽策展人 1994 JJ咖啡廳 建築立面設計案 1994 「紅樓節慶」裝置設計案 （此設計案於1995赴荷蘭展覽發表） 1993 「縱橫書海」電視場景設計案 （此設計案於1997日本展覽） 1993 「大觀園」裝置藝術設計聯展 作品：「命名」印．畫空間裝置 1993 紐約 「社會意識設計」國際競圖獲選參加展覽 作品：「九份：一個進步的保存案例」 2004 “Journey to the west” installation/video art work in “Nexus” group exhibition ,Museum of Queens ,New York 2003 Selected as the visiting Artist in Artist-in residency program “Calligraphy dressing ” installation/video art work exhibition in Art Omi international arts Center ,New York 2003 “Temple Chic” installation Art Solo Exhibition, SOHO Diesel Denim Gallery ,New York 2003 “Knitting tree” Installation/Video exhibition in P.S.1 /MOMA Contemporary Art center 2003 Performative Video II @ the Remote Lounge, New York Soft Ritual: Part 2: the wandering monk with his follower to the de-haunted city 2003 Award：Winner of P.S.1 /MOMA Contemporary Art Center 2002 International Artist Studio Program 2002 Exhibition “Voyage from Taiwan Modern Perpective” Selected as the visiting Artist to Canada 2002 “Wild Puppet Stage” Installation for Pregident Culture award Documentary film festival, Taipei Culture Center 2002 “Tree Knitting” Installation Shin-Chu Ecole college Art Gallery 2001 “Bottomless Ferryboat” Installation/Action Art Exhibition Invited to design the Flagship of Ferryboat
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