HERE IS THERE THERE IS HERE–A Solo Exhibition by HOSHINA, Toyomi
2013.03.15~2013.04.28
09:00 - 17:00
Text by Hoshina Toyomi A video of a burning house can be seen inside the darkness through a closed glass window over there, the sun is shining through the darkness while I feel enwrapped by the crackling of fire as the sound reverberates in the room itself. Another room has a gutter creeping down from the ceiling as well as a concrete well. Upon coming closer to look at the bottom of the well a video of an owl staring up toward here is visible. A speaker on a glass surface fills the underground atrium space with birdsong, giving the illusion of a divine spirit sent by a yatagarasu (a three-legged crow). If this temporary sloped structure on the ground surface of the hill is climbed to the top, a waterfall whose flow has been inverted upside down is confronted. … From Toyomi Hoshina's recent works the pool of memory based inside one's body and mind, in order to renew and connect the world, most people from the past master and encourage space, as conventions of the soul are lost and sites of ceremony deteriorate, since long ago spiritual barriers and places of prayer with physicality of body held the capacity to see the "layout for a shift change of the world." In Hoshina's recent works one can grasp a reorganization of his thoughts in the present, a recursion of the relational aspects between body and place, leading to the establishment of subconscious connector wires even in ordinary spaces and the interface of reality. A pilgrim appears and disappears connected to Yanagida Kunio's memoir, where he saw stars during the daytime in a small backyard garden shrine as a child or the world in "Alice's mirror world."
Text by Hoshina Toyomi A video of a burning house can be seen inside the darkness through a closed glass window over there, the sun is shining through the darkness while I feel enwrapped by the crackling of fire as the sound reverberates in the room itself. Another room has a gutter creeping down from the ceiling as well as a concrete well. Upon coming closer to look at the bottom of the well a video of an owl staring up toward here is visible. A speaker on a glass surface fills the underground atrium space with birdsong, giving the illusion of a divine spirit sent by a yatagarasu (a three-legged crow). If this temporary sloped structure on the ground surface of the hill is climbed to the top, a waterfall whose flow has been inverted upside down is confronted. … From Toyomi Hoshina's recent works the pool of memory based inside one's body and mind, in order to renew and connect the world, most people from the past master and encourage space, as conventions of the soul are lost and sites of ceremony deteriorate, since long ago spiritual barriers and places of prayer with physicality of body held the capacity to see the "layout for a shift change of the world." In Hoshina's recent works one can grasp a reorganization of his thoughts in the present, a recursion of the relational aspects between body and place, leading to the establishment of subconscious connector wires even in ordinary spaces and the interface of reality. A pilgrim appears and disappears connected to Yanagida Kunio's memoir, where he saw stars during the daytime in a small backyard garden shrine as a child or the world in "Alice's mirror world."
1953 Born in Nagano Prefecture 1984 Completed Doctoral Program in Painting, Tokyo University of the Arts Current Professor of Painting, Tokyo University of the Arts 1982 “Paris Biennale” (Paris Citizen Museum of Art, Paris) Contemporary Paper Forms Exhibit—Japan and Korea (Seoul National Modern Museum, Kyoto City Museum) 1983 “Material and Space” (Fukuoka Art Museum, Fukuoka) “Japan Art Now” (Switzerland National History Museum, Rath Museum Geneva) 1984 Horizon of 3D Objects Exhibit (Gallery Nakamori, Hokkaido) 1985 “The 3rd International Sculpture Biennale” (Sukironio Museum, Athens) 1986 “Japan Art Now” (Taipei Fine Arts Museum, Taipei) 1987 3rd モーベイジュ International Sculpture Exhibition 〈Recipient of Purchase Award〉(France) 1988 Germany/Japan- Contemporary Sculpture Exhibition of Shinshu (Nagano Prefectural Shinano Art Museum, Nagano) 1989 “The Space: Material, Tension, Vacancy in Japanese Contemporary Art” (The Museum of Modern Art, Saitama) 1990 “Installaties” Het Appolohuis (Eindhoven, Holland) 1994 “Chiba Art Now” Sakura Citizen Museum, Chiba Prefecture 1996 Expressions of Intervention- Paper (Yamanashi Prefectural Museum, Fuchu) 1997 “Japan Art Now” National Contemporary Museum of Seoul, Korea 1999 “Dusseldorf fine arts CONTACT Exhibition” Dusseldorf Art Museum, Germany 2002 10th Rantan of the East Epoch in L.A. (Doizaki Gallery, Japan-American Culture Social Center) University of California Gallery, Los Angeles 2003 2nd Echigo-Tsumari Triennial, “House that Transforms" Exhibition, Matsudai, Niigata “Collaboration Exhibit”, Walsh Gallery, Chicago, U.S.A 2005 “Voice of Site” School of Visual Arts Gallery, New York City, U.S.A 2nd Chengdu Biennale “Century and Utopia”, Chengdu Contemporary Museum, China 2007 “Koto no Ba” - Sustainable Art Exhibition-, Iwasaki house, Tokyo 2008 “International Media Art Biennale” (Beijing, China) “Tradition and Contemporary“ Succession, Deduce, Soak: Water, Ink, World of Monochrome, Contemporary Art Exhibition (Tokyo) 2009 “Estuary project“ participated in the symposium, Nant City, France 2010 “Ki no Design”, Wakita Museum of Art, Nagano The Busan Biennale “NOW ASIAN ARTIST”, Busan, Korea “Social and Natural Environments” Art and Architecture Galleries, (University of Hawaii, Honolulu, USA) 2011 “The Ueno Royal Museum Prize Exhibition” Ueno Royal Museum, Tokyo “2nd Sumi Artists Exhibition” 2012 “Paper Non-Paper” Exhibit, Central Academy of Fine Arts, Beijing, China
1953 Born in Nagano Prefecture 1984 Completed Doctoral Program in Painting, Tokyo University of the Arts Current Professor of Painting, Tokyo University of the Arts 1982 “Paris Biennale” (Paris Citizen Museum of Art, Paris) Contemporary Paper Forms Exhibit—Japan and Korea (Seoul National Modern Museum, Kyoto City Museum) 1983 “Material and Space” (Fukuoka Art Museum, Fukuoka) “Japan Art Now” (Switzerland National History Museum, Rath Museum Geneva) 1984 Horizon of 3D Objects Exhibit (Gallery Nakamori, Hokkaido) 1985 “The 3rd International Sculpture Biennale” (Sukironio Museum, Athens) 1986 “Japan Art Now” (Taipei Fine Arts Museum, Taipei) 1987 3rd モーベイジュ International Sculpture Exhibition 〈Recipient of Purchase Award〉(France) 1988 Germany/Japan- Contemporary Sculpture Exhibition of Shinshu (Nagano Prefectural Shinano Art Museum, Nagano) 1989 “The Space: Material, Tension, Vacancy in Japanese Contemporary Art” (The Museum of Modern Art, Saitama) 1990 “Installaties” Het Appolohuis (Eindhoven, Holland) 1994 “Chiba Art Now” Sakura Citizen Museum, Chiba Prefecture 1996 Expressions of Intervention- Paper (Yamanashi Prefectural Museum, Fuchu) 1997 “Japan Art Now” National Contemporary Museum of Seoul, Korea 1999 “Dusseldorf fine arts CONTACT Exhibition” Dusseldorf Art Museum, Germany 2002 10th Rantan of the East Epoch in L.A. (Doizaki Gallery, Japan-American Culture Social Center) University of California Gallery, Los Angeles 2003 2nd Echigo-Tsumari Triennial, “House that Transforms" Exhibition, Matsudai, Niigata “Collaboration Exhibit”, Walsh Gallery, Chicago, U.S.A 2005 “Voice of Site” School of Visual Arts Gallery, New York City, U.S.A 2nd Chengdu Biennale “Century and Utopia”, Chengdu Contemporary Museum, China 2007 “Koto no Ba” - Sustainable Art Exhibition-, Iwasaki house, Tokyo 2008 “International Media Art Biennale” (Beijing, China) “Tradition and Contemporary“ Succession, Deduce, Soak: Water, Ink, World of Monochrome, Contemporary Art Exhibition (Tokyo) 2009 “Estuary project“ participated in the symposium, Nant City, France 2010 “Ki no Design”, Wakita Museum of Art, Nagano The Busan Biennale “NOW ASIAN ARTIST”, Busan, Korea “Social and Natural Environments” Art and Architecture Galleries, (University of Hawaii, Honolulu, USA) 2011 “The Ueno Royal Museum Prize Exhibition” Ueno Royal Museum, Tokyo “2nd Sumi Artists Exhibition” 2012 “Paper Non-Paper” Exhibit, Central Academy of Fine Arts, Beijing, China
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