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Lecture: 11/21-22 Once upon a Time in Asia: Bandung Spirit and Art in Solidarity
Post Date 2019.11.10
Event Date _ 2019.11.21~22, 13:30~16:30
Event Price _ Free
Once upon a Time in Asia: Bandung Spirit and Art in Solidarity
Date: 2019.11.21~22, 13:30~16:30
Venue: Kuandu Museum of Fine Arts, TNUA
Lecturer: Dong Jin Seo
Introduction
One seems to be caught in a Global Art. It is remained by the apparatuses and technologies such as biennials, triennials and documenta held in newly built museums which aims to boost the tourism and its related business. It has an assumption that it might connect and communicate the art practices sprung from the local with the global. But we are aware that it leads to no different form of art than the commodity in ‘global standard’ which is produced in neo-liberalist global economy. It is delegated to the celebratory curator to think critically the conjuncture of art across the world and build the common aim for the future. Then it is necessary to the fragments which tried to unite and bridge a wide range of artist, critics, intellectuals and gallerists in Asia, Africa and Latin America under the banner of Third Worldism without any nostalgic reflection. It offered the utopian stage to embrace de-colonial and internationalist art practices and suggest heterogeneous models of art institutions and spectator-ship. It will be an anachronistic journey to discover the latent future buried in yesterdays.
Lecturer
Dong Jin Seo is a scholar and critic based in Seoul, South Korea. He is an associate professor in Intermedia Art Department at Kaywon University of Art and Design. He holds a PhD in Sociology from Yonsei University. He is a member of editorial board of journals, Economy and Society, Marxism 21 and Culture/Science. He has participated in several international events and written for various publications including After Contemporaneity: Memory-Time-Image (2018), The lapse of Dialectics: Antagonism and Politics (2015), The Will of the Self, The Will to Empower (2009) and etc. His research interests include contemporary art practices in Korea and Asian countries and historical/curatorial discourses of art history in Asia. He is a co-curator in upcoming exhibition Non-Aligned Movement: From Bandung to Gwangju (working title) (Asia Culture Center, 2020) as a co-curator and a chief editor of The Non-Aligned Movement Reader (2020).
For registration: https://forms.gle/EpsP4UwGjtDKtqmV6
＊ The lecture will be presented in Korean, Chinese translation will be provided.
Date: 2019.11.21~22, 13:30~16:30
Venue: Kuandu Museum of Fine Arts, TNUA
Lecturer: Dong Jin Seo
Introduction
One seems to be caught in a Global Art. It is remained by the apparatuses and technologies such as biennials, triennials and documenta held in newly built museums which aims to boost the tourism and its related business. It has an assumption that it might connect and communicate the art practices sprung from the local with the global. But we are aware that it leads to no different form of art than the commodity in ‘global standard’ which is produced in neo-liberalist global economy. It is delegated to the celebratory curator to think critically the conjuncture of art across the world and build the common aim for the future. Then it is necessary to the fragments which tried to unite and bridge a wide range of artist, critics, intellectuals and gallerists in Asia, Africa and Latin America under the banner of Third Worldism without any nostalgic reflection. It offered the utopian stage to embrace de-colonial and internationalist art practices and suggest heterogeneous models of art institutions and spectator-ship. It will be an anachronistic journey to discover the latent future buried in yesterdays.
Lecturer
Dong Jin Seo is a scholar and critic based in Seoul, South Korea. He is an associate professor in Intermedia Art Department at Kaywon University of Art and Design. He holds a PhD in Sociology from Yonsei University. He is a member of editorial board of journals, Economy and Society, Marxism 21 and Culture/Science. He has participated in several international events and written for various publications including After Contemporaneity: Memory-Time-Image (2018), The lapse of Dialectics: Antagonism and Politics (2015), The Will of the Self, The Will to Empower (2009) and etc. His research interests include contemporary art practices in Korea and Asian countries and historical/curatorial discourses of art history in Asia. He is a co-curator in upcoming exhibition Non-Aligned Movement: From Bandung to Gwangju (working title) (Asia Culture Center, 2020) as a co-curator and a chief editor of The Non-Aligned Movement Reader (2020).
For registration: https://forms.gle/EpsP4UwGjtDKtqmV6
＊ The lecture will be presented in Korean, Chinese translation will be provided.
Once upon a Time in Asia: Bandung Spirit and Art in Solidarity
Date: 2019.11.21~22, 13:30~16:30
Venue: Kuandu Museum of Fine Arts, TNUA
Lecturer: Dong Jin Seo
Introduction
One seems to be caught in a Global Art. It is remained by the apparatuses and technologies such as biennials, triennials and documenta held in newly built museums which aims to boost the tourism and its related business. It has an assumption that it might connect and communicate the art practices sprung from the local with the global. But we are aware that it leads to no different form of art than the commodity in ‘global standard’ which is produced in neo-liberalist global economy. It is delegated to the celebratory curator to think critically the conjuncture of art across the world and build the common aim for the future. Then it is necessary to the fragments which tried to unite and bridge a wide range of artist, critics, intellectuals and gallerists in Asia, Africa and Latin America under the banner of Third Worldism without any nostalgic reflection. It offered the utopian stage to embrace de-colonial and internationalist art practices and suggest heterogeneous models of art institutions and spectator-ship. It will be an anachronistic journey to discover the latent future buried in yesterdays.
Lecturer
Dong Jin Seo is a scholar and critic based in Seoul, South Korea. He is an associate professor in Intermedia Art Department at Kaywon University of Art and Design. He holds a PhD in Sociology from Yonsei University. He is a member of editorial board of journals, Economy and Society, Marxism 21 and Culture/Science. He has participated in several international events and written for various publications including After Contemporaneity: Memory-Time-Image (2018), The lapse of Dialectics: Antagonism and Politics (2015), The Will of the Self, The Will to Empower (2009) and etc. His research interests include contemporary art practices in Korea and Asian countries and historical/curatorial discourses of art history in Asia. He is a co-curator in upcoming exhibition Non-Aligned Movement: From Bandung to Gwangju (working title) (Asia Culture Center, 2020) as a co-curator and a chief editor of The Non-Aligned Movement Reader (2020).
For registration: https://forms.gle/EpsP4UwGjtDKtqmV6
＊ The lecture will be presented in Korean, Chinese translation will be provided.
Date: 2019.11.21~22, 13:30~16:30
Venue: Kuandu Museum of Fine Arts, TNUA
Lecturer: Dong Jin Seo
Introduction
One seems to be caught in a Global Art. It is remained by the apparatuses and technologies such as biennials, triennials and documenta held in newly built museums which aims to boost the tourism and its related business. It has an assumption that it might connect and communicate the art practices sprung from the local with the global. But we are aware that it leads to no different form of art than the commodity in ‘global standard’ which is produced in neo-liberalist global economy. It is delegated to the celebratory curator to think critically the conjuncture of art across the world and build the common aim for the future. Then it is necessary to the fragments which tried to unite and bridge a wide range of artist, critics, intellectuals and gallerists in Asia, Africa and Latin America under the banner of Third Worldism without any nostalgic reflection. It offered the utopian stage to embrace de-colonial and internationalist art practices and suggest heterogeneous models of art institutions and spectator-ship. It will be an anachronistic journey to discover the latent future buried in yesterdays.
Lecturer
Dong Jin Seo is a scholar and critic based in Seoul, South Korea. He is an associate professor in Intermedia Art Department at Kaywon University of Art and Design. He holds a PhD in Sociology from Yonsei University. He is a member of editorial board of journals, Economy and Society, Marxism 21 and Culture/Science. He has participated in several international events and written for various publications including After Contemporaneity: Memory-Time-Image (2018), The lapse of Dialectics: Antagonism and Politics (2015), The Will of the Self, The Will to Empower (2009) and etc. His research interests include contemporary art practices in Korea and Asian countries and historical/curatorial discourses of art history in Asia. He is a co-curator in upcoming exhibition Non-Aligned Movement: From Bandung to Gwangju (working title) (Asia Culture Center, 2020) as a co-curator and a chief editor of The Non-Aligned Movement Reader (2020).
For registration: https://forms.gle/EpsP4UwGjtDKtqmV6
＊ The lecture will be presented in Korean, Chinese translation will be provided.
