Anabelle Lacroix is an independent curator and general manager at Liquid Architecture—an Australian organisation for artists working with sounds. Anabelle Lacroix’s research has been focused on aspects of stating, fiction, and the politics of representation in exhibition spaces. She curated projects at institutions, universities and independent contemporary art spaces. Recent projects took place at Biologiska Museet (2016, Stockholm) Blindside Gallery (2016, 2015), Mars Gallery (2015), Careof (2014, Milan), and RMIT Project Space (2014). She has published catalogue texts for art galleries and published critical essays in art magazines such as UN and Australia Museums. She moved to Melbourne from Paris in 2011 where she has worked with institutions and independent originations on local and international art projects (Melbourne Festival, Asialink, Banyule City Council, Arc One Gallery) and has taught the curatorial intensive in the Masters of Arts Management at RMIT University. She is currently an associate curator at Blindside Gallery in Melbourne and an associate member at RMIT’s Centre for Art, Society and Transformation.

Lacroix graduated from the International Program in Curating Art at Stockholm University, Masters by research in Art History at University College London and a BA Art History and Anthropology from University Paris X Nanterre.